Tuesday, July 14, 2009

A search for innovative eco film-makers

SEED GRANTS CREATIVE NOMINATION

A search for innovative eco film-makers and multimedia designers.

About the Search

Inline with the recent announcement of Seed Grants 2009, Wild Asia would like to extend our reach beyond project-based initiatives to include the creative industry. Since our merchandise goes hand-in-hand with Seed Grants, we thought it would be best to combine both these competitions and highlight some of the most creative minds in Asia.

Designers, film-makers and multimedia designers have the option to contribute to environmental and social conservation by either designing our special edition t-shirts and have it printed or creating a short film/Community Service Announcement/Website/Interactive media of an environmental or social issue that is close to their heart to raise awareness.

The choice is up to you to take up this exciting new challenge!

DEADLINE: 31 JULY

How do I apply?

Seed Grants is usually announced annually around April of every year and entries must be in by the end of July. Project duration should also not extend to beyond one year. Please note, due to our management of our overwhelming correspondences, only successful candidates will be notified.

To submit an application, simply email us a proposal and ensure the following questions are answered:

About the Project

  • Project Title
  • Applicant name & nationality
  • Applicant contact (address, phone number & email)
  • Project website
  • Summary of the project (what is it you are trying to do and why).

Use of SG

  • What is the project timeline? Will it be completed within one year?
  • How will you use these funds? Brief outline will do.
  • Will you be able to provide quarterly and annual updates online?

Project Impact

  • Who does the project help promote the sustainability of natural resources?
  • Who will the project ultimately benefit?
  • How do you intend to sustain the project beyond the lifespan of your grant?

Obligations & Disclaimer

All outputs from the project are to be made available to Wild Asia at the end of the project. This shall be in both hardcopy and softcopy formats. Whilst copyright remains with the applicant, Wild Asia is granted the right to use the name and photo of the applicant and any outputs of the project for free in any broadcast, telecast, print or electronic medium. Wild Asia accepts no responsibility for any loss, injury or inconvenience sustained by any applicant, whether or not arising in contract or negligence. All applicants shall be responsible for ensuring that their activities are in compliance with any national legal requirements relevant to the project.


for more info: http://www.wildasia.org/main.cfm/Seed_Grants/Tees_Competition

Monday, June 29, 2009

FA10 Review

Hello to all fellow FAers!! A big fat thanks for those who came for FA10 and also for those who caught us at KLue Urbanscapes 2009! Unfortunately, we forgot to bring a camera so both events weren't covered in it's full glory. But no worries, we have Nurol here who will bring you guys who missed out on FA10 up to speed with her review of FA10 (thanks Nurol!). Sit back, enjoy and see all of you at FA11!
~

The first shortie screened was 'Sehingga Klku Menyanyi or Until My KL Sings' by Mien.ly, a 29minute-documentary shot in 2006.

"It makes you want to sing your own KL journey"


Cosmic Review:

This documentary include the artistes / singers featured during the KL Sing Song such as Pete Teo, Jerome Kugan, Rhapsody, Reza Salleh, Shanon Shah, Pak Pandir and a few more. An interesting take by the director where she includes subtitles of poetries as an introduction, in between the takes and for the ending. A personal touch to knowing what living in KL and what the city means by these musicians, the documentary takes place in different landmarks of the city and discusses not only the journey, but hopes and dreams that these musicians have for the city.


Although the director mentioned that when she started this project, it was because she was new to the city and wanted to get to know more about the city from these individuals' perspective, there's an extra sense of urban patriotism transpired from the documentary. The endless search for sense of belonging for ambitious dreamers, who have migrated from their respective kampungs to the city, the endless pursue of restoring sense of belonging to those who have traveled everywhere and comes back to KL which they call home, were portrayed in a very unique style.


The concept of appearing in someone's thoughts and dreams was a bit confusing for the mass, but I guess having the musicians to appear in backgrounds that allows them to relate to the city comes out well.

As someone who breathes music and enjoy the city life (to some extent), I can relate to the hardship and journey on different levels. I'll give it 3 out of 5 thumbs up.


Second we have 'For The Love Of Drowning', a 10min short film by Nazim Esa, shot in 2008 and was selected as the winner of the 2008 BMW Shorties.

"For someone who once encountered a near-drowning experience, it can be tad disturbing. But it does somehow makes you realise how easy life can be if you're a fish and you will never fear drowning."


Cosmic Review:

The short film is about a couple with some sort of a communication problem and a lady with a very strange fetish for drowning. Her obsession with drowning leads her to even wanting to try to drown herself in a large aquarium in her house.A little weird take having to see a slick BMW and the owner lives in a single-storey terrace house, but then again, thats just me being judgemental.


Since the synopsis talked about the complexity of communication, it was communicated in a weird complex way to the audience. Aside from the technical problems during the screening, I managed to grasp the entire film and try to understand it. With his vast experience, the director has produced a good film in terms of cinematography, but the underlying message was too deep that it was hardly translated to the audience. I would give this one a 2 out of 5 thumbs up.


The third film screened is actually the only animated shortie, but a brilliant one called 'The Chase' by Kevin Ng and his team from The One Academy.

"It makes you realise that Malaysia has the creative resources, but it also makes you feel disappointed in the overall nation support to push it to be internationally recognised"


Cosmic Review:

This animation tells a story about a thief who sneaked in a museum in London only to have awaken a Chinese Vampire and a Dracula and his little adventure being chased and escaping them (not!).This funny piece done within 8 months, actually turned out to be the grand winner of 3D Bites; Short Film Competition organized by ACA Pacific. It does look very professionally done, as if coming from an established world renown Animation Production House. I was actually amazed at the quality of the animation and the overall ability of these students. It restores the faith of Malaysia (actually) Boleh.


The fourth short film is a simple take in life with the longest title among its peers that night, Chi Too's 3-minute Where Are You On A Night Like Tonight a.k.a. You And Me Put The 'You' And 'Me' In 'You And Me'.

"More like a photo time-lapse slideshow rather than a film, but Zee Avi's song makes you realise the message the director might wanted to communicate, the little things in life, the journey and the company you're with"


Cosmic Review:

I couldn't review much, but frankly speaking, it does look like something I would actually do. It the usual nice drive you have with your friends at night, and the things you see along the highway. Simplicity. But maybe a bit too simple. Yet, understandable.


The fifth one is actually a music video by Manesh and friends, with their 2 rappers, Ashraf Rushdy and Alfred Loh about the mamak culture entitled 'I'm A Freak'.

"A much better take on the mamak culture as compared to the cheesy one made by the hitz.fm crew. Informative as well as funny."


Cosmic Review :

Ashraf Rushdy, a Canadian MC who got the chance to be in Malaysia and discover the mamak culture from his hosts and friends, and Alfred Loh, a Malaysian who practically spends almost everyday at the mamak decided to tell or more likely, to educate the masses about why mamak culture is actually a culture you want to experience and be part of.


The sixth short film is 'Selling Imagination' by Crystal Kay and Kubhaer.

"Brings marketing to a whole new level, and brilliantly communicate how we often take for granted of the simplicity of life we actually need aside from the materiality that we often search for"


Cosmic Review:

Taking place in the heart of KL, its about a typical corporate-ish art appreciator who questions a blank canvas displayed only to be convinced by the owner to buying it. She left the gallery carrying her new blank canvas but proudly thinking that she has purchased of realisation she never cared to acknowledge.The one particular thing I like about this one is how accentuates the little things, the sounds, the people around us. It reminds me of Arundhati Roy's 'God of Small Things'.


Last but not least, is Nadiah Hamzah's 'Sub Rosa'.

"A typical inter-racial love story set in Brooklyn, but the whip appeal of silent respect and adoration towards each other translated successfully in between their little conversations."


Cosmic Review:

This film takes place in Brooklyn, bringing together Ayesha, a Muslim African American and Kurt, a normal Brooklyn hipster who meets at the bus-stop everyday and ends up adoring and falling for each other. It is somewhat a typical inter-racial love, as of the likes of Sepet and others.The interesting part that captivates you is the silent adoration, not too much of those typical love romances or drama. Of course, Yuna's 'Deeper Conversation' was such a sweet addition during their routine encounters. And it also captures realities of life for a normal Muslim girl in a country that claims they are in war with Muslim terrorists.

Sunday, June 21, 2009

FA @ KLue Urbanscapes 2009!!!

Greetings!



Films, fun and festivity galore awaits you this coming weekend when FA hits KLue Urbanscapes 2009 on Saturday, 27th June! We have comedy, horror, romance, tragedy and every random genre you can think of reserved for your viewing pleasure - all in three stunning collectives (FA7, FA8 & FA9)! So call your friends, your loved ones, your family, the distant cousin who's down from Parit Buntar, your favourite soft toy and *insert preferred mode of transport* down to KLPAC this Saturday, June 27th for an unforgettable day of fun. You know you want to.
Only at FA.

Time: 12pm - 12am
Date: Saturday, 27th June 2009
Venue: KLPac, Sentul Park, Jalan Strachan, Off Jalan
Ipoh, 51100 K. L.

http://www.urbanscapes.com.my/
http://filmmakersanonymous.blogspot.com/2008/06/filmmakers-anonymous-7.html
http://filmmakersanonymous.blogspot.com/2008/12/fa-tikam-tikam-filmmakers-anonymous-8.html
http://filmmakersanonymous.blogspot.com/2009/02/filmmakers-anonymous-9.html

Tuesday, June 2, 2009

FILMMAKERS ANONYMOUS 10!!!!!

13 JUNE 2009 Saturday
830 PM
ANNEXE @ CENTRAL MARKET
FREE ENTRANCE!!

Contact: filmaholic@gmail.com

Website: www.filmmakersanonymous.blogspot.com

TOTAL RUNNING TIME: 64 MINUTES (discussion with filmmakers after)

Most films have English subtitles. The screening is free. The Annexe, Central Market is located walking distance from Pasar Seni Lrt. For more info please contact Anonymous at 012-6969455.

ps. if you are an addict yourself, please feel free to bring dvd copy of your film to the screening and pass to Anonymous.


1.'For The Love Of Drowning' by Nazim Esa (9min 52sec, 2008, color)


Synopsis:

For the Love of Drowning is a short film about the complexity of communication.


Director's profile:

Nazim Esa is a freelance artist, director and editor living and working in Kuala Lumpur, Malaysia. He studied film and fine art in the UK and works in film, theatre, TV and commercials.So far, has exhibited his work in Malaysia and abroad in film festivals and exhibitions. He was a 3D animator, painter, photographer, offline/online editor and currently a 1st AD for commercials and films. He has directed music videos, short films and documentaries. He has also worked on projects for the Venice Biennale, Istanbul Biennale, Taipei Biennale and Kunsthalle, Vienna Austria.


2. 'The Chase' by Kevin Ng ( 3min 47sec, 2008, Animation, Color)

Synopsis : This story takes place in a museum situated in London. One night, a thief sneaks into the museum. As he gleefully steals valuable artifacts, he unknowingly awakens two ancient creatures of the dark, a Chinese Vampire and Dracula. Being denied blood for a very long time, it seems the thief is what they need most. Will the thief got into their hands? Or will he survive his stealing?

Director’s profile :-
Name :
Kevin Ng
DOB : 29th June 1987
Graduate : The One Academy
Email :
kevin_ck87@hotmail.com
Website/Blog :
http://kevinckart.blogspot.com

3.Where Are You On A Night Like Tonight a.k.a. You And Me Put The 'You' And 'Me' In 'You And Me' by Chi Too (3 mins 31 secs / colour /stereo /english)

The synopsis is in the titlle. Shot, written, directed, and edited by
chi too on the night of May 22 2009... apologies to Zee Avi


4. 'I’m A Freak' by Manesh and friends (4min 4secs, 2009, color)

Synopsis : A music video about the love for the Malaysian mamak culture, seen from the eyes of Ashraf Rushdy, a non-IC bearing Malaysian.


Director's Profile - The director would like to refrain from submitting a profile as a tribute to the truly collaborative creative process through which this project was born.

5. 'Selling Imagination' by Crystal Kay and Kubhaer (4'53'', 2008, color)

Sypnosis:
A young woman comes across an art gallery that sells more than just paintings. Follow her journey and her thoughts inside the gallery as she discovers a side she thought she had lost.

Directors profile:

Crystal Kay is currently persuing her Advanced Diploma in Boradcasting Communication in TAR College and wishes to indulge herself in the production line in the near future. This is her first directive collaboration with her only other experience is as an Assistant Director in a indie film 'Emperor' in 2008.

Kubhaer is new to commercial directing, but not to the creative arts. Before production, he was a veteran in professional theatre having acted, written, and directed for the stage. There was also a short stint as an experimental dancer, and giving breathing and vocalization workshops. Weird.

A listed breakdown of Kubhaer's showreel is similar to the person itself: Short, but large on quality.



6. 'Sehingga Klku Menyanyi or Until My KL Sings' by Mien.ly (29 mins, 2006, docu)

Synopsis:

Living in Kuala Lumpur, I have been often told by powers that be that there is only one story. I asked the singers-songwriters, and they sang to me about the many different stories, different identities and the different voices that filled this complex and colorful city.

Director's profile:

She make films to appease the ghost of desires, run trainings on human rights and filmmaking in exchange for a place to sleep and the raw fish fix. For more of mien (governments advised against):mienly.wordpress.com.



7. 'Sub Rosa' by Nadiah Hamzah (8.45mins, 2009/color)

Synopsis:

Can true love prevail above all others? Ayesha, a Muslim African American struggles to balance her faith and liberal freedom. Kurt - yearning for a sense of belonging gets caught up in the bludgeoning Brooklyn hipster neo-subculture. A unexpected encounter brings the two together. Despite their worlds of differences, they not only find love, but also discover their selves.


Director's profile:
Nadiah Hamzah is based in New York, and is constantly inspired by the many sights and sounds of the city. She enjoys everything and anything by Catherine Breillat, Alejandro González Iñárritu, Takashi Miike, Michel Gondry and Yasmin Ahmad. Nadiah is also an avid cinematographer (DP reel can be seen at www.youtube.com/nadiahhamzah) but wishes she had more chances and money (or any money at all) to shoot on 35mm film. She is currently writing her first feature screenplay.

Thursday, May 14, 2009

FA 8 and FA 9 are rescreening this Sunday!!

Homegrown Space will screen a series of short films compiled by Filmmaker Anonymous this Sunday. There will be two different screenings; first one is at 1130AM and the second starts at 2PM. To get to the Homegrown Space is easy. The Homegrown Space is located in the Bentley Showroom, between IKEA and Lexus, opposite Tesco. Just look for Courts Mammoth, we're on the third floor (Bentley is a music store).



Please spread the word.


Best regards,
Uzair Sawal

Saturday, March 14, 2009

FA9 Review

Hello everyone! First up, a big thank you to those who came for FA9 on February 20th despite the heavy rain; it was great to have all of you! And secondly, our deepest apologies for such an overdue review of FA9 but for those who missed out on FA9, Sheryl's review will get you up to speed!

//

Howdy Doodies everybody! Sorry about the mega lateness; I’m such a procrastinator. Anyhoos, just my two cents on FA9:

1. "Home Away From Home" by Maz Irwan 25mins/Colour/2008

FA9 starts off with Maz Irwan’s short film that chronicles the budding friendship between two men from different backgrounds who somehow find a common ground upon which they build their initial encounter on. It is interesting that the ‘common ground’ in ‘Home Away From Home’ deals with two separate human rights issues that resonate deeply within two different nations by converging it into a singular, familiar human experience – running away. So conceptually, Maz Irwan’s work had all the makings of a thought provoking film as an avenue to visually depict inward emotional conflict through human interaction. However, the audience is excluded from the discovery of this ‘common ground’ as the subtleties in discovering what they both truly have in common never really gets explored throughout the film. There were some self-gratifying spluttering of feel-good bonding sessions but those did not serve as substantial development and instead we get served a bewildering moment where (despite how obviously the young man’s predicament sort of parallels his) we see the Malaysian musician ‘ousting’ the young Korean man in an attempt to guide the other onto the right path. Here again, the audience is not privy to any form of internal conflict that would have transpired within the Malaysian musician to lead him to do such an act. This of course, completely obliterated any chances of the viewer ever having insight into the emotional themes dealing with abandoning one’s home. What is unfortunate about ‘Home Away From Home’ is the potential – I found myself admiring a few shots (in particular the scene in the back alley where the young man throws a mean punch at the Malaysian musician for telling on him to his parents) where the content seemed to have defined the visual identity of the shot well. But the film’s insistence on concentrating on the theme rather than the story found it perhaps more on the loosing end of what could have potentially been a truly original foray into human rights.


2. "Entomophagy" by Arif Mazlan & Muhammad Afiq Hamidi 1.5mins/color/2008

This one, memang true blue short film. Clocking in at 90 seconds, Arif Mazlan and Muhammad Afiq Hamidi’s attempt at what appears to mimic a public service announcement on nutrition was not only hilarious but genuinely informative (well, at least to me lah) in it’s oddity. Despite (or perhaps due to) the 90 second length, the short was produced in such a way that it was definitive in the concept it wished to deliver. For that, it was a job well done. And now ladies and gentlemen, thou shall fear no mamak.


3. "me(you+he)=rob" by Veknesuaran (Vicky) Thiagarajan 22mins/Colour/2008

Vicky’s film starts off with a rather abstract dream sequence of the protagonist (I assume) followed by some cinematic shots of a subway station somewhere in Seoul. This sort of triggers me into thinking that it’s all some surrealistic visual experiment that utilises a flashback narrative to contextualize the whole thing together. But the sudden unraveling of plot during the second part of the film derailed into random madness (heads up: colourful dialogue exchange)which was hilarious but more than anything, ended up farcical. The hilarity and farce from the second part did not derive itself from the first; it was a result of the unplanned adlibbing on the part of the cast. Unfortunately, the adlibbing of the inexperienced cast had a ripling effect whereupon I felt the pacing throughout the film was disturbed. The promise of subtle, ironic humour that the absurd dream sequence carried in the beginning was disappointingly replaced with the crude, farcical humour from the robbing scene that defined the second half. I really liked the cinematography however, and was mesmerized by one particular shot where aforementioned subway station was painted with a yellowish undertone that seemed to hint at a perpetual dreamlike sequence. All these point to a characteristic eye with a talent for visually conceptualizing ideas where such distinctive direction in colour hues would have given a fantastic backdrop to a more controlled piece of directing. Although I was a little disappointed at what could have been defiantly original in its obtuse humour, it is testament to the personality of Vicky’s me (you+he)=rob that I nevertheless enjoyed the film.


4. "I am Waiting" by Jasmine Low and Yuen Mei 6”38' min/color/2008

As Low and Yuen Mei’s “I am Waiting” brings you through a woman’s longing while she waits for her lover, you sense a genuine sense of experimentation. This sense of experimentation is seen through the employment of a technique where each scene sorts
of overlaps or folds into the next scene (which was interesting to note since I’ve never seen it used before). Besides that, another thing that struck me from "I am Waiting" was the slightly retrospective atmosphere to the film which accentuated the female lead’s (Yuen Mei) rather classic beauty. This retrospective atmosphere and minimal dialogue helped convey that wistfulness and anticipation that comes with waiting for someone you love. However, the random rolling about in the bed didn’t though; it seemed a little self-indulgent and slightly out of place as compared to the tentative, almost regal demeanour initially portrayed by Yuen Mei. Nevertheless, this experimental project had within it enough meaning-laden shots to be adequately affective.


5. "Bound" by Fikri Jermadi 9mins/Colour/2008

The premise for Fikri Jermadi’s ‘Bound’ doesn’t read very well on paper but when the beginning of the film flashes onscreen, the whole possible morbidity of the situation suddenly strikes you. The visual representation of this film is rather impressive – throughout there is a lingering sense of impending forebode for both leads. The whole suspense and doom theme of the situation was projected well through effective lighting and some nifty camerawork that while not terribly original, was very effective in its delivery. It also didn’t hurt that the two characters were well cast and exuded a strong stable chemistry. All of these were deftly utilised to create a portentous escalation which climaxes in the film’s final scene where the two leads share the scene with the never–seen-onscreen antagonist. The ending of the film was reminiscent of a style commonly adopted by Asian films – the climatic revelation of plot is matched by an epilogue that plateaus (sort of like an anti-climatic device that serves to further highlight the sudden intensity experienced just beforehand). Like I said, not terribly original but very effective in its delivery. For the stylistic and effective (word of the day) execution of ‘Bound’, it gets my vote for best short of the evening and deservedly so.


6. “ Article 8" by Thilaga Sulathireh and Elaine Foster 16 mins/color/ 2008

Sulathireh and Foster’s “Article 8” documentary addresses the Kuala Lumpur-Malaysian LGBTIQ community through the eyes of artists, activists and lay people who are involved in some manner within the LGBTIQ community. The LGBTIQ community is rather subversive in Malaysia and such an attempt in shedding some light in this topic is not only applaudable but much needed. However, what I found in increasing amounts throughout the film was a lack of distinctive direction. The documentary was presented in such a way where questions served as markers in order that the audience could follow the progression of the documentary. While the questions seemed to be phrased in such a way that would respect open-ended answers, the answers were too colloquial in its terminology and assumptive in their explanations. A good example of this would be the explanation of Mak Nyah where only the origin of the word was covered (which did not explain what ‘Nyonya’ meant) and the other aspects of the moniker (like how it came to be used in such a context, whether the word now is seen in the same light 10 years ago in the local LGBTIQ community) were never explored. Suddenly the audience is expected to have knowledge about certain aspects of the LGBTIQ community and this assumption interrupts the construction of the local LGBTIQ community’s identity as the documentary progresses. Where is the identity that the film is striving so hard to establish with all the dialogue? It would have been great to see how LGBTIQ challenges are dealt with specifically in Malaysia instead of serving up the challenges like an infomercial (we see a lot of talking, not a lot of living). I thought the bit which discusses the local Purple Lab lesbian social network was excellent but unfortunately, did not receive enough coverage. It would have been a good avenue in exploring what was just a mere mention in the film about the growing ‘female-friendly’ parties made available in Malaysia as well as how Malaysians come to approach what is previously thought to be a ‘Westernised’ idea of sexuality and claim it as their own understanding of sexuality. Such would have contributed to creating a more distinctive identity not only for the documentary itself but also for the LGBTIQ community at large. One thing must be said though about ‘Article 8’; the LGBTIQ community in Malaysia portrays itself through the words of these activists as one that is empowered and well-aware of the challenges that lie before them. That one saving grace was just enough for the documentary to stand on its own two feet.


I generally felt all the films were entertaining and that FA9 was just as ever an engaging event. The films all showed promise and hopefully, the directors will return with more servings of their talent. Here's to FA10!

Tuesday, March 10, 2009

FFF 09 Ask you for A Real (or reel) Change!!

Greetings everyone!

FreedomFilmFest is back with the theme ’Real Change?!’ To know more about our theme, please watch our thematic video here:

Now is YOUR chance to win RM5,000 to make a film about your story of change in Malaysia. All you need to do is to submit a short film proposal for our competition! Hurry! Deadline ends April 15,2009!

Already have a film made, do not fret! You can still submit it to us and stand a chance to win RM2,000!

For more details about the competition, please visit http://freedomfilmfest.komas.org/competition/competition/. You can also email freedomfilmfest@gmail.com or call 03-79685415 if you have any questions.

Help us spread the word by promoting FFF on your blog!